Trooper
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Cenas marcantes
23-08-09, 19:19
#1
Bom, depois daquele tópico sobre frases motivacionais dos filmes, aqui eu queria que descrevessem diálogos marcantes. Não aquele ápice de um filme de ação, mas um diálogo que pareça caracterizar o filme, algo que você queira rever sempre que possível..
Começo com um diálogo de sideways.. Code:
MAYA Why are you so into Pinot? It's like a thing with you. Miles laughs at first, then smiles wistfully at the question. He searches for the answer in his glass and begins slowly. MILES I don't know. It's a hard grape to grow. As you know. It's thin-skinned, temperamental, ripens early. It's not a survivor like Cabernet that can grow anywhere and thrive even when neglected. Pinot needs constant care and attention and in fact can only grow in specific little tucked- away corners of the world. And only the most patient and nurturing growers can do it really, can tap into Pinot's most fragile, delicate qualities. Only when someone has taken the time to truly understand its potential can Pinot be coaxed into its fullest expression. And when that happens, its flavors are the most haunting and brilliant and subtle and thrilling and ancient on the planet. Maya has found this answer revealing and moving. MILES I mean, Cabernets can be powerful and exalting, but they seem prosaic to me for some reason. By comparison. How about you? MAYA What about me? MILES I don't know. Why are you into wine? MAYA I suppose I got really into wine originally through my ex-husband. He had a big, kind of show-off cellar. But then I found out that I have a really sharp palate, and the more I drank, the more I liked what it made me think about. MILES Yeah? Like what? MAYA Like what a fraud he was. Miles laughs. MAYA No, but I do like to think about the life of wine, how it's a living thing. I like to think about what was going on the year the grapes were growing, how the sun was shining that summer or if it rained... what the weather was like. I think about all those people who tended and picked the grapes, and if it's an old wine, how many of them must be dead by now. I love how wine continues to evolve, how every time I open a bottle it's going to taste different than if I had opened it on any other day. Because a bottle of wine is actually alive -- it's constantly evolving and gaining complexity. That is, until it peaks -- like your '61 -- and begins its steady, inevitable decline. And it tastes so fucking good. Now it is Miles's turn to be swept away. Maya's face tells us the moment is right, but Miles remains frozen. He needs another sign, and Maya is bold enough to offer it: reaches out and places one hand atop his. MILES (pointing) Bathroom over there? MAYA Yeah. Miles gets up and walks out. Maya sighs and gets and American Spirit out of her purse. |
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Trooper
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23-08-09, 23:20
#4
Porra, discurso motivacional é no outro tópico..
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Trooper
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23-08-09, 23:28
#6
Outro exemplo de cena marcante:
Vicky Cristina Barcelona Code:
Juan Antonio: American? Cristina: I’m Cristina and this is my friend, Vicky. Juan Antonio: What color are your eyes? Cristina: Uh…they’re blue. Juan Antonio: I would like to invite you both to come with me to Oviedo. Vicky: To come where? Juan Antonio: To Oviedo. For the weekend. We leave in one hour. Cristina: What, where is Oviedo? Juan Antonio: A very short flight. Vicky: By plane? Juan Antonio: Mm-hm. Cristina: What’s in Oviedo? Juan Antonio: I go to see a sculpture that is very inspiring to me. A very beautiful sculpture. You’ll love it. Cristina: Oh. Vicky: Oh, right, you’re asking us to fly to Oviedo and back? Juan Antonio: We’ll spend the weekend. I mean, I’ll show you around the city and…we’ll eat well, we’ll drink good wine, we’ll make love. Vicky: Yeah…who exactly is going to, make love? Juan Antonio: Hopefully, the three of us. Vicky: Oh, my God. Juan Antonio: I’ll get your bill. Vicky: Jesus, this guy, he doesn’t beat around the bush. Look, senor, maybe in a different life. Juan Antonio: Why not? Life is short. Life is dull. Life is full of pain. And this is a chance for something special. Vicky: Right, well, who-who exactly are you? Juan Antonio: I am Juan Antonio. And you are… (to Vicky) …Vicky… (to Cristina) …and you are Cristina. Right? Or is it the other way around? Cristina: Yeah, that’s right. Vicky: Yeah, I mean, you know, it could be the other way around because, frankly, it doesn’t matter because either of us will do to keep the bed warm. You know, I get it. Juan Antonio: Well, you are both so lovely and beautiful. Vicky: Yeah, thank you, but we do not fly off to make love with whoever invites us to charming little Spanish towns. Juan Antonio: (to Cristina) Does she always analyze every inspiration until each grain of charm is…uh…como se dice, eh, squeezed out of it. Cristina: I guess I have to say that, my eyes are green, actually. |
death and taxes
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23-08-09, 23:36
#7
porra mdk eu não consigo lembrar a cena pelo diálogo escrito não :/... 1 pedaço do filme lembro toda a história mas só o texto do diálogo doesnt roll...
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Trooper
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23-08-09, 23:58
#8
A cena do sideways não existe no youtube.. É um diálogo que os 2 estão conversando sobre os motivos pelos quais gostam de vinho e o cara começa a analisar a uva pinot noir como se fosse a própria vida dele.. É uma cena bem legal..
A do vicky cristina barcelona tem no trailer do filme, mas não completa.. Ocorre na hora que o cara aborda as duas e as convida para viajar com ele.. Muito boa tb.. |
Trooper
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28-08-09, 00:23
#14
Lembro dessa parte do 12 angry men (12 homens e uma sentença, 1957) quando um dos jurados leva o outro a falar que "ele mesmo mataria o réu se tivesse a chance", assim como o réu disse antes do crime.
cena muito boa e bem crítica pq remete às palavras que falamos com a cabeça quente Code:
Juror #8: Here's what I think happened: the old man heard the fight between the boy and his father a few hours earlier. Then, when he's lying in his bed he heard a body hit the floor in the boy's apartment, heard the woman scream from across the street, got to his front door as fast as he could, heard somebody racing down the stairs and assumed it was the boy. Juror #6: I think that's possible. Juror #3: ASSUMED? Brother, I've seen all kinds of dishonesty in my day, but this little display takes the cake. Y'all come in here with your hearts bleedin' all over the floor about slum kids and injustice; you listen to some fairy tales; suddenly you start gettin' through to some of these old ladies... well, you're not getting through to me, I've had enough! WHAT'S THE MATTER WITH YOU GUYS? You all know he's guilty. He's got to burn! You're letting him slip through our fingers. Juror #8: Slip through our fingers? Are you his executioner? Juror #3: I'm one of 'em! Juror #8: Perhaps you'd like to pull the switch? Juror #3: For this kid? You bet I would! Juror #8: I feel sorry for you... what it must feel like to want to pull the switch. [baiting him] Juror #8: Ever since you walked into this room, you've been acting like a self-appointed public avenger! You want to see this boy die because you personally want it, not because of the facts! You're a sadist! [Three lunges wildly at Eight, who holds his ground. Several jurors hold Three back] Juror #3: I'll kill him! I'LL KILL HIM! Juror #8: You don't *really* mean you'll kill me, do you? |
Trooper
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28-08-09, 17:44
#15
Quote:
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Chief Rocka
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23-09-09, 13:35
#20
nossa, tem varias hein...
tipo o cara no clockwork orange assistindo ao filme com os olhos "pregados" é ultra classico a cena do macaco no 2001 o al pacino dando um role de ferrari no scent of a woman o mlk do "lock, stock and 2 smoking barrels" após ser rapelado no poker, assim como a cena final desse filme, da shotgun |
Trooper
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23-09-09, 13:42
#21
Infância de Ivan (Andrei Tarkovsky)
Stalker (Andrei Tarkovsky) Zerkalo (Andrei Tarkovsky) (Considerada uma das melhores cenas de plano sequência do cinema.) La Dolce Vita (Federico Fellini) 8 & 1/2 (Federico Fellini) E mais um monte: o monólogo de inicio de Taxi Driver, várias do Poderoso Chefão, dos filmes de Chaplin, final de Chinatown, Assassinato do Benigni Vida é Bela, final do Cinema Paradiso. Last edited by WaR WoLf; 23-09-09 at 13:52.. |
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